The attack setting you use for mix buss compression is just as important as using a compressor on any other individual track. With a faster attack, the compressor will clamp down sooner on the transients that tend to be a little louder than the rest of the audio coming through. A slower attack will wait milliseconds before it clamps down on the audio and starts compressing.
In the diagram below, the left side demonstrates how two in-phase waves sum to an amplified resulting signal. The right side demonstrates two precisely out-of-phase waves are attenuated to silence.
One other interesting thing about the I-IV-V progression is that, within the chord tones of this progression, it collectively outlines the entire major scale. Remember, the I chord is D, made up of the notes D, F♯, and A; the V chord is A, made up of the notes A, C♯, and E; and the IV chord is G, made up of the notes G, B, and D.
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Instead of trying to headline or open a show on a weekend (you’re not likely to get those valuable spots in the calendar until you’ve proven yourself), simply say that you’re a new band eager for live performance opportunities and ask to be considered for future shows. Starting out as the low music project on the totem pole, your emails might get ignored, or you might get asked to open a Tuesday night show opening for an artist you’ve never heard of. Persistence pays off here, but only if your communication is professional and honest.
The simple, digital BOSS DD-7 is small, durable and has the ability to tap delay time very accurately. Another unique pedal, which has its own sound entirely, is the VOX Delay Lab, which offers a pitch shifting delay mode to really turn your signal upside down! It will add one octave up to the note you are playing as the first echo you hear. The second echo you hear is an octave up from that, and so on… It’s such a dreamy swarm of tones, you should give it a try at your local guitar store sometime! As much as I love this pedal, it’s actually enormous, and no longer fits on my board, so for something a bit more compact you can try the BOSS PS-3.
In addition to playing the built-in instruments, you can also use the aQWERTYon as a MIDI controller for any DAW or notation program. Just set the input to the IAC bus (Windows users will need to install MidiOX before this will work.)
It’s because of these trap doors (motivation, time management, confidence, workflow optimization, proper space and acoustic considerations, gear availabilities, etc.) that musicians with big ideas and significant dreams often fall short of reaching their true home recording potential. So we decided to make next week, June 17-22, 2019, all about that — next week is Home Recording Week on Soundfly.
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So starting with my big vision (Garner, I’m coming for you!), I know I’m going to have to work on my stride playing and block chords a bit. That’s still pretty vague though, so I think I’ll start by trying to figure out the left hand part of “Stompin’ at the Savoy.” Suddenly, that’s totally something I can figure out in a few sessions and I’ll be a little bit closer to my overall goal.
For the same reasons, isolation boxes are great options for home recording as well. With a well-constructed isolation box, you don’t need to manage the acoustics of your room (or closet, or bathroom, or stairwell — wherever you’re capturing the signal from your amp) to guarantee an excellent recording of your electric guitar performance.
It’s also important to show vulnerability. We all have things we’re dealing with. And if you can open up to your fans about something and show a little genuine vulnerability, you’ll find yourself building a much deeper connection with them.
“I’ve been holding on here for so long, and it’s such a struggle. Like, normal life is a struggle,” she says. “I was barely making the money I needed to get by, and all of a sudden, that’s gone, and now it’s like, well, I guess this is what I’m supposed to do right now. It hurts me because I know there’s a lot of work to be done here, and the artists community has lost so many funds already this year, and it’s just been going downhill and downhill and downhill, and I’m sorry. I can’t do this anymore.”
Another idea when crafting your narrative is to tie in your interests and passions. How do your interests shape who you are as an artist and the decisions you make?